This phrase refers to a two-toned footwear fashion harking back to conventional saddle sneakers. Saddle sneakers sometimes function a white base with a contrasting “saddle” formed panel throughout the instep, usually in black or brown. The reference evokes a particular aesthetic, doubtless drawing a comparability to an merchandise or design component possessing this distinct two-tone shade scheme.
The descriptive energy of this comparability lies in its rapid visible affect. Saddle sneakers, popularized within the mid-Twentieth century, maintain a recognizable place in vogue historical past. Evoking this imagery immediately conveys a way of retro fashion, doubtlessly signaling a vintage-inspired design or a nostalgic callback to a selected period. The New York Instances (NYT) point out doubtless situates the reference inside a particular article or context, including a layer of specificity and credibility.
Understanding the visible cue of this two-tone sample gives a key to decoding the article’s material. Whether or not discussing vogue tendencies, inside design, or perhaps a conceptually associated matter, the comparability anchors the outline in a well-recognized and simply grasped visible. This aids comprehension and permits for a deeper appreciation of the topic being mentioned.
1. Two-tone design
The essence of “coloured like saddle sneakers NYT” rests upon the idea of two-tone design. This design precept, using two contrasting colours, varieties the muse of the saddle shoe aesthetic and serves as the premise for the comparability. Exploring the nuances of two-tone design gives a deeper understanding of the descriptive energy and cultural significance embedded inside the phrase.
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Visible Distinction and Emphasis
Two-tone design leverages contrasting colours to create visible curiosity and spotlight particular design parts. In saddle sneakers, the darker saddle visually separates the back and front of the shoe, drawing consideration to the form and building. This precept extends to different objects described as “coloured like saddle sneakers,” utilizing contrasting colours to emphasise explicit options or create a definite visible rhythm. Contemplate, for instance, a automobile with a white physique and a black roof, echoing the saddle shoe’s shade blocking.
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Historic Context and Retro Enchantment
The 2-tone shade scheme, notably the mix of white and a darker shade, evokes a particular historic interval, notably the mid-Twentieth century. Saddle sneakers gained recognition throughout this period, turning into a logo of preppy fashion and a nostalgic touchstone. Describing one thing as “coloured like saddle sneakers” implicitly connects it to this retro aesthetic, suggesting a vintage-inspired design or a deliberate callback to a bygone period.
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Simplicity and Magnificence
Whereas visually placing, two-tone designs usually depend on simplicity. The restricted shade palette permits the interaction of shapes and contrasts to take heart stage. This minimalist method can convey a way of magnificence and class, as seen in traditional saddle sneakers. This precept interprets to different objects, suggesting a refined aesthetic and a concentrate on important design parts.
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Versatility and Adaptability
The 2-tone precept transcends particular objects and finds utility throughout numerous design fields. From vogue and footwear to structure and product design, the usage of contrasting colours gives a flexible software for creating visible affect. The “coloured like saddle sneakers” comparability highlights this adaptability, suggesting the described object shares the identical core design precept no matter its operate or type.
Finally, understanding the nuances of two-tone design illuminates the that means behind “coloured like saddle sneakers NYT.” This seemingly easy phrase encapsulates a posh interaction of visible parts, historic context, and design rules. It serves as a concise but evocative descriptor, instantly conjuring a particular aesthetic and providing a deeper understanding of the article being described.
2. Contrasting Colours
Contrasting colours type the core visible component of the “coloured like saddle sneakers NYT” descriptor. This comparability depends on the interaction of two distinct hues, mirroring the traditional saddle shoe’s white base and darker saddle. The distinction creates a transparent visible separation, highlighting the two-tone design and establishing a particular aesthetic. With out important shade distinction, the analogy loses its affect. A saddle shoe in two shades of beige, for instance, lacks the distinctive visible signature that makes the comparability significant.
The effectiveness of contrasting colours stems from their capability to attract the attention and outline shapes. Contemplate a black and white {photograph}: the stark distinction creates a heightened sense of drama and emphasizes the interaction of sunshine and shadow. Equally, in a saddle shoe, the distinction between the white and the darker shade accentuates the saddle form itself. This precept extends to different objects described as “coloured like saddle sneakers NYT.” A constructing facade with contrasting white panels and darkish brickwork, for example, evokes the identical visible dynamic. The New York Instances reference suggests this particular shade distinction was doubtless a notable element inside the article’s material, maybe associated to a design selection, a vogue development, or perhaps a symbolic illustration.
Understanding the significance of contrasting colours on this context gives a deeper appreciation for the comparability’s descriptive energy. It underscores the visible affect of two-tone design and its capability to convey a particular aesthetic. Whereas the precise colours would possibly varya purse in navy and cream, for examplethe basic precept of distinction stays important. This distinction will not be merely ornamental; it serves a practical goal by highlighting particular design parts and creating a transparent visible language. This understanding enhances the reader’s capability to interpret the comparability and recognize the nuances of the outline inside the NYT article.
3. White base
The “white base” varieties a vital component within the “coloured like saddle sneakers NYT” comparability. Conventional saddle sneakers function a predominantly white basis, upon which the contrasting “saddle” sits. This white base gives a impartial backdrop that accentuates the darker shade, creating the attribute two-tone aesthetic. Understanding its significance is vital to decoding the visible language evoked by the phrase.
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Visible Distinction and Emphasis
The white base serves to amplify the visible distinction with the darker saddle. This distinction is prime to the saddle shoe’s design and is important for the comparability’s effectiveness. The white acts as a clean canvas, highlighting the form and shade of the contrasting component, very like a white mat accentuates a framed art work. A stark white base makes a black saddle seem even darker, making a bolder, extra outlined visible assertion. This precept applies analogously to different objects described utilizing this comparability.
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Affiliation with Cleanliness and Simplicity
White usually carries connotations of cleanliness, purity, and ease. Within the context of saddle sneakers, the white base contributes to the shoe’s traditional, uncluttered look. This affiliation can lengthen to different objects described as “coloured like saddle sneakers NYT,” suggesting an identical aesthetic of fresh strains and minimalist design. For instance, a white constructing with contrasting darkish trim can evoke a way of recent magnificence, drawing on these identical connotations of white as a logo of purity and class.
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Historic Context and Retro Styling
The white base of the saddle shoe contributes to its retro attraction. White was a outstanding shade in mid-Twentieth century vogue, and the white base of the saddle shoe locations it firmly inside that period’s aesthetic. When an object is described as “coloured like saddle sneakers NYT,” the white base evokes this historic context, linking the article to a particular interval in design and vogue historical past, particularly inside the context of a New York Instances article, doubtlessly referencing a selected development or cultural phenomenon.
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Versatility and Adaptability as a Basis
The white base serves as a flexible basis for varied shade combos. Whereas black is essentially the most conventional saddle shade, different hues, comparable to navy, brown, and even brighter colours, could be paired with a white base to create completely different stylistic variations. This adaptability is mirrored within the broader utility of the “coloured like saddle sneakers NYT” comparability. The white base, whereas fixed, permits for variation within the contrasting shade, increasing the vary of objects that may be described utilizing this analogy.
The white base within the “coloured like saddle sneakers NYT” analogy is greater than only a background shade; it is a key element that contributes considerably to the comparability’s that means and visible affect. It gives distinction, evokes a particular historic context, and acts as a flexible basis for varied shade combos. Understanding the position of the white base enhances the reader’s capability to interpret the comparability and recognize the nuances of the outline inside the NYT article’s context.
4. Darker saddle panel
The “darker saddle panel” is the defining attribute of the saddle shoe and, consequently, the “coloured like saddle sneakers NYT” comparability. This panel, sometimes a contrasting shade overlaid on a white base, gives the shoe with its distinctive two-tone aesthetic and lends the comparability its descriptive energy. The “saddle” refers back to the panel’s form, harking back to a horse’s saddle draped over the instep. With out this darker panel, the footwear would merely be a white shoe, missing the distinctive visible component that makes the “saddle shoe” comparability significant. Its presence creates a visible focus, directing the attention and establishing the two-tone design’s core precept.
The darker saddle panel’s significance lies in its operate as a contrasting component. This distinction creates visible curiosity and defines the shoe’s construction. Think about a traditional black saddle on a white shoe: the darkish panel sharply delineates the shoe’s type, emphasizing the saddle form and creating a transparent visible separation between the back and front of the shoe. This visible distinction is vital to understanding the “coloured like saddle sneakers NYT” analogy. When utilized to different objects, comparable to a purse with a contrasting flap or a automobile with a in another way coloured roof, the darker panel represents a design component that serves an identical visible operate. The New York Instances reference doubtless highlights this contrasting component as a key function inside the article’s topic, maybe in relation to a particular design development or stylistic selection. Contemplate, for instance, a constructing facade with white partitions and a darker, recessed central part: this architectural function might be described as “coloured like saddle sneakers” because of the analogous visible relationship between the contrasting parts.
Understanding the importance of the darker saddle panel is important for greedy the complete that means of the “coloured like saddle sneakers NYT” comparability. This panel is not merely an ornamental function; it is a essential design component that defines the saddle shoe’s aesthetic and gives the comparability with its visible anchor. Recognizing its position as a contrasting component, and understanding the way it creates visible curiosity and defines type, permits for a extra nuanced interpretation of the analogy and its utility in varied contexts. This understanding strengthens the connection between the visible cue and the subject material of the NYT article, offering deeper perception into the meant that means and significance of the outline.
5. Retro aesthetic
The “retro aesthetic” performs a vital position within the “coloured like saddle sneakers NYT” comparability. Saddle sneakers, with their two-tone design, loved peak recognition within the mid-Twentieth century, turning into a logo of preppy fashion and a nostalgic icon. Consequently, the phrase inherently evokes a way of classic attraction and a connection to a particular historic interval. This retro affiliation contributes considerably to the comparability’s descriptive energy, permitting it to convey not solely a visible resemblance but in addition a temporal and cultural context. A recent object described as “coloured like saddle sneakers” implicitly hyperlinks it to this bygone period, suggesting a deliberate stylistic selection referencing mid-century design rules. The NYT context doubtless additional reinforces this retro connection, doubtlessly putting the described object inside a historic narrative or cultural development.
Contemplate the affect of this retro affiliation in sensible purposes. A contemporary purse designed with a white physique and a contrasting coloured flap, harking back to saddle sneakers, instantly communicates a vintage-inspired aesthetic. This design selection resonates with customers who recognize retro types, tapping into a way of nostalgia and traditional design rules. Equally, in architectural design, a constructing incorporating a two-tone shade scheme would possibly evoke the mid-century fashionable motion, creating a visible hyperlink to that period’s architectural tendencies. The “coloured like saddle sneakers” comparability, due to this fact, capabilities as a shorthand for a posh set of stylistic references, conveying a way of historical past and cultural significance past the purely visible. This understanding proves notably useful when analyzing design decisions inside a historic or cultural framework, comparable to in a New York Instances article exploring vogue tendencies or design actions.
The connection between “retro aesthetic” and “coloured like saddle sneakers NYT” gives useful perception into the comparability’s effectiveness and deeper that means. The phrase transcends a easy visible description, tapping into cultural reminiscence and historic context to convey a richer, extra nuanced understanding of the article being described. Recognizing this retro affiliation permits for a extra knowledgeable interpretation of the comparability’s implications inside the NYT article, doubtlessly revealing connections to broader cultural tendencies, historic occasions, or stylistic actions. This deeper understanding enriches the reader’s expertise, offering a extra full appreciation of the article’s design and its cultural significance.
6. Mid-century fashion
The connection between “mid-century fashion” and “coloured like saddle sneakers NYT” hinges on the saddle shoe’s historic prominence. Saddle sneakers gained widespread recognition in the course of the mid-Twentieth century, turning into a recognizable component of the period’s vogue. This affiliation imbues the “coloured like saddle sneakers” comparability with a definite mid-century connotation. The comparability acts as a visible shorthand, instantly conjuring the broader aesthetic of mid-century design. This connection permits the outline to convey not solely a visible resemblance but in addition a stylistic and cultural context. The NYT reference doubtless reinforces this mid-century affiliation, doubtlessly putting the described object inside a dialogue of period-specific design tendencies or cultural phenomena.
Contemplate the implications of this mid-century connection in varied contexts. A recent furnishings piece that includes a two-tone upholstery, harking back to saddle sneakers, instantly invokes the mid-century fashionable aesthetic. This design selection resonates with customers drawn to that period’s clear strains, geometric varieties, and practical magnificence. Equally, in graphic design, using a shade palette harking back to saddle sneakers can evoke a mid-century sensibility, creating a visible hyperlink to the period’s promoting or print media. The comparability thus capabilities as a concise but evocative descriptor, suggesting a variety of stylistic influences and cultural associations. This proves notably useful in analyses of design tendencies, permitting for environment friendly communication of advanced stylistic references. As an illustration, an NYT article discussing a resurgence of mid-century modernism in inside design would possibly make use of the “coloured like saddle sneakers” comparability to shortly convey the distinctive two-tone shade palettes attribute of that fashion.
The connection between “mid-century fashion” and “coloured like saddle sneakers NYT” gives important context for decoding the comparability’s full that means. The phrase transcends a easy visible analogy, tapping into the broader cultural and stylistic panorama of the mid-Twentieth century. Recognizing this mid-century affiliation permits for a deeper understanding of the article being described, revealing potential connections to particular design actions, historic tendencies, or cultural shifts. This deeper understanding, notably inside the context of an NYT article, enriches the reader’s comprehension and permits for a extra nuanced appreciation of the article’s design and its cultural significance. This connection highlights the facility of concise visible comparisons to evoke advanced historic and stylistic narratives.
7. NYT reference
The inclusion of “NYT,” referencing The New York Instances, inside the phrase “coloured like saddle sneakers NYT” provides a vital layer of context and specificity. It signifies that the comparability appeared inside a New York Instances publication, be it a print article, on-line piece, or different media format. This reference instantly elevates the outline’s credibility and anchors it inside a particular journalistic context. Understanding the implications of this NYT reference is important for totally decoding the comparability’s that means and significance.
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Supply Credibility and Journalistic Context
The NYT carries a fame for journalistic integrity and factual accuracy. Its inclusion means that the “coloured like saddle sneakers” comparability appeared inside a context upholding these requirements. This context lends weight to the comparability, implying a level of journalistic vetting and editorial oversight. It signifies that the outline wasn’t merely an off-the-cuff commentary however appeared inside a thought-about piece of writing, doubtless meant for a discerning viewers.
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Goal Viewers and Cultural Significance
The New York Instances caters to a particular readership, usually characterised by a excessive stage of schooling and engagement with present occasions and cultural tendencies. The “NYT” inclusion means that the comparability resonated with this audience, doubtless drawing upon shared cultural references and an understanding of design historical past. This understanding of the audience illuminates the comparability’s meant affect and its perceived cultural relevance inside that particular demographic.
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Particular Article Context and Potential Themes
The “NYT” reference implies a particular article or piece of content material the place the “coloured like saddle sneakers” comparability appeared. Whereas the precise context stays unknown with out additional info, the reference suggests potential themes referring to vogue, design, historical past, or cultural commentary. The NYT regularly publishes articles on these matters, making them doubtless candidates for a comparability invoking saddle sneakers and their related retro aesthetic. This understanding helps slender the potential scope of the comparability’s that means and suggests avenues for additional analysis or investigation.
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Temporal Context and Historic Relevance
The New York Instances has a wealthy historic archive courting again to the nineteenth century. The “NYT” reference, whereas not specifying a date, implies a temporal context inside the publication’s historical past. This temporal component could be essential for understanding the comparability’s relevance, notably when contemplating evolving vogue tendencies or shifting cultural perceptions of retro types. As an illustration, a “coloured like saddle sneakers” comparability in a Nineteen Fifties NYT article would carry a special connotation than the identical comparability in a up to date piece, reflecting modifications in vogue and cultural views over time.
The “NYT reference” in “coloured like saddle sneakers NYT” is greater than only a supply quotation; it provides a big layer of that means and context to the comparability. It speaks to the credibility of the supply, the meant viewers, the potential themes explored, and the temporal context of the outline. Understanding these aspects gives a richer, extra nuanced interpretation of the “coloured like saddle sneakers” comparability, permitting for a deeper appreciation of its meant that means and significance inside the particular journalistic context of The New York Instances.
8. Visible shorthand
The phrase “coloured like saddle sneakers NYT” capabilities as visible shorthand, effectively conveying a posh visible idea by way of a concise and evocative comparability. As a substitute of describing an object’s shade scheme in detaillisting particular hues, patterns, and proportionsthe phrase depends on the reader’s familiarity with saddle sneakers to create a right away and readily understood picture. This shorthand depends on shared cultural understanding and visible reminiscence. It assumes the viewers acknowledges the distinctive two-tone design of saddle sneakers, sometimes a white base with a contrasting “saddle” panel. This pre-existing information permits the comparability to bypass prolonged descriptions, successfully speaking a particular aesthetic in only a few phrases. The NYT reference additional contextualizes this shorthand inside a journalistic framework, suggesting a shared understanding between the publication and its readership.
Contemplate the effectiveness of this visible shorthand in several eventualities. An article describing a automobile with a white physique and a black roof might use prolonged descriptions of the colour scheme and panel distribution. Nevertheless, “coloured like saddle sneakers” instantly conjures the identical visible, leveraging the reader’s pre-existing psychological picture of a saddle shoe. This effectivity proves notably useful in contexts requiring concise communication, comparable to headlines, captions, or short-form descriptions. Moreover, the comparability imbues the outline with cultural and historic connotations related to saddle sneakers, enriching the visible with implied that means. For instance, describing a purse as “coloured like saddle sneakers” would possibly evoke a way of retro fashion or preppy aesthetics, including layers of that means past the purely visible. The NYT context provides an extra layer of specificity, suggesting the comparability’s relevance to a selected article’s material.
Understanding the position of “visible shorthand” within the “coloured like saddle sneakers NYT” comparability illuminates its communicative energy. It demonstrates how concise comparisons can successfully convey advanced visible ideas by tapping into shared cultural information and visible reminiscence. This understanding is essential for decoding the comparability’s meant that means and appreciating its effectivity and evocative potential. The NYT reference underscores the significance of contemplating the audience and publication context when analyzing such visible shorthand, recognizing the position of shared understanding in efficient communication. This recognition enhances analytical expertise relevant to varied types of media and design critique, highlighting the facility of concise language to convey advanced visible info effectively and successfully.
Often Requested Questions
This part addresses frequent inquiries concerning the phrase “coloured like saddle sneakers NYT,” aiming to make clear its that means and utilization.
Query 1: What does “coloured like saddle sneakers” imply?
The phrase describes an object with a two-tone shade scheme resembling that of conventional saddle sneakers: a predominantly white base with a contrasting, usually darker, “saddle” formed part throughout the instep.
Query 2: Why is the “NYT” included?
“NYT” refers to The New York Instances. Its inclusion signifies the phrase doubtless appeared inside a New York Instances publication, including journalistic context and suggesting the outline’s relevance to a particular article or matter.
Query 3: What’s the significance of the saddle shoe reference?
Saddle sneakers loved peak recognition within the mid-Twentieth century. The reference evokes a retro aesthetic, connecting the described object to mid-century fashion and design rules.
Query 4: Is the comparability restricted to footwear?
No. The comparability can describe any object exhibiting an identical two-tone shade scheme, comparable to a purse, automobile, constructing, or piece of furnishings. The main target is on the visible resemblance to the saddle shoe’s shade blocking, not the article’s operate.
Query 5: Does the “saddle” should be a particular shade?
Whereas historically black or brown, the contrasting “saddle” could be any shade that creates a definite visible separation from the predominantly white base. The important thing component is the two-tone design and the distinction between the 2 colours.
Query 6: What’s the advantage of utilizing this comparability?
The phrase capabilities as visible shorthand, effectively conveying a posh visible idea by way of a concise, culturally resonant comparability. It leverages current visible reminiscence and cultural associations with saddle sneakers to create a right away, simply understood picture.
Understanding the nuances of “coloured like saddle sneakers NYT” permits for a extra knowledgeable interpretation of its that means and implications. The comparability extends past easy visible resemblance, encompassing historic context, cultural associations, and stylistic influences.
Additional exploration would possibly contain investigating the precise NYT article the place the phrase appeared, analyzing mid-century design rules, or analyzing the usage of visible shorthand in descriptive language.
Ideas for Using the “Coloured Like Saddle Sneakers NYT” Idea
The next ideas present steerage on successfully decoding and making use of the “coloured like saddle sneakers NYT” comparability, whether or not encountered in an article or utilized as a descriptive software.
Tip 1: Acknowledge the Core Visible Aspect: Deal with the two-tone shade scheme. The essence lies within the distinction between a predominantly white base and a darker, “saddle”-shaped or equally positioned space. This distinction is vital to understanding the visible analogy.
Tip 2: Contemplate the Historic Context: Saddle sneakers gained recognition within the mid-Twentieth century. The comparability usually implies a connection to mid-century fashion, retro aesthetics, and doubtlessly preppy vogue tendencies. This context informs the comparability’s cultural significance.
Tip 3: Look Past Footwear: Whereas referencing footwear, the comparability applies to any object exhibiting an identical two-tone shade scheme. Contemplate examples like a automobile with a white physique and a black roof, a constructing with contrasting facade panels, or a purse with a in another way coloured flap.
Tip 4: Acknowledge the NYT Reference: The “NYT” signifies The New York Instances. This implies the comparability appeared inside a New York Instances publication, including journalistic weight and situating the outline inside a particular context. Researching the precise article can present additional insights.
Tip 5: Perceive the “Visible Shorthand”: The phrase effectively conveys a posh visible concept. It depends on the viewers’s familiarity with saddle sneakers to create a right away psychological picture, bypassing prolonged descriptions. Acknowledge the facility of this visible shorthand in conveying each type and cultural associations.
Tip 6: Analyze the Particular Colours: Whereas the traditional saddle shoe incorporates a white base and a darker saddle, variations exist. Observe the precise colours used within the described object. These hues can present additional clues in regards to the meant aesthetic and potential symbolic meanings.
Tip 7: Contemplate the Meant Viewers: The New York Instances caters to a usually well-informed readership. The comparability doubtless resonates with this viewers’s understanding of design historical past, cultural tendencies, and visible language. Contemplate the audience when decoding the comparability’s nuances.
By contemplating the following tips, one can extra successfully interpret and make the most of the “coloured like saddle sneakers NYT” comparability, gaining a deeper appreciation of its visible, cultural, and historic significance. This understanding enhances analytical expertise and facilitates extra nuanced interpretations of design decisions and descriptive language.
The following pointers provide a framework for navigating the complexities of the “coloured like saddle sneakers NYT” comparability, offering a basis for additional exploration and evaluation.
Conclusion
Evaluation of “coloured like saddle sneakers NYT” reveals a comparability exceeding easy visible resemblance. The phrase capabilities as visible shorthand, effectively conveying a two-tone shade scheme harking back to traditional saddle sneakers. This evokes not solely a particular aesthetic but in addition a connection to mid-century fashion, retro vogue, and the cultural context of The New York Instances. The reference’s inclusion suggests a journalistic framework, implying credibility and relevance to a particular article’s material. Understanding this multifaceted comparability requires contemplating the interaction of visible parts, historic context, and the publication’s audience. Deconstructing the phrase illuminates its effectiveness in conveying advanced visible ideas by way of concise, culturally resonant language.
The “coloured like saddle sneakers NYT” comparability serves as a reminder of the facility of concise language to evoke advanced visible and cultural associations. Additional exploration of such descriptive comparisons can enrich understanding of how language shapes notion and communicates design rules throughout numerous media. Cautious evaluation of seemingly easy phrases can unlock deeper layers of that means, revealing connections between visible aesthetics, historic context, and cultural tendencies. This pursuit fosters larger appreciation for the nuanced interaction between language, design, and cultural expression.
