The pioneering use of colour pictures by Saul Leiter throughout the mid-Twentieth century, predominantly in New York Metropolis, is acknowledged for its distinctive aesthetic. His method, usually incorporating abstraction, blurred movement, and reflections, reworked mundane city scenes into evocative and painterly compositions. He regularly employed Kodachrome movie, embracing its saturated hues and contributing to a definite visible signature.
Leiter’s progressive work predates the widespread acceptance of colour pictures as a critical creative medium. His creative imaginative and prescient, characterised by a deal with ambiance and emotion, challenged standard photographic practices of the time. This groundbreaking method considerably influenced subsequent generations of photographers and continues to encourage modern artists. His pictures provide a singular window into the city panorama and cultural milieu of post-war New York, capturing town’s vibrant vitality and refined nuances.
